Martian Gardens Episode 1021

LISTEN HERE — ANCHOR.FM PODCAST
Martian Gardens Episode 1021

Recorded at Max’s home studio,
Amherst, Massachusetts
May 24, 2020
Contact Max Shea: martiangardensmax@gmail.com 

(or just leave a comment below)
Radio4All archive (search “Martian Gardens”)

Hour 1

SINGLE PLAY
Walter Piston: Trio for Violin, Cello, and Piano
I. Allegro (4:45)
II. Adagio (6:19)
III. Allegro con brio (3:15)
IV. Allegro moderato (2:26)

New England Trios (Piston/Bernstein/Perera)
Bridge Records/2020
violin: Joel Pitchen; cello: Marie-Voicy Pelletier; piano: Yu Mei Wei; recorded at Sweeney Concert Hall, Smith College, Northampton, Massachusetts, January 2019; composition years: 1935; total time: 16:38

SET ONE
Max Giteck Duykers: The Way In
Folding Music
New World Records/2019
soprano: Zen Wu; cello: Caitlin Sullivan; piano: Geoffrey Burleson; text: Rainer Maria Rilke; recorded October 2018; Oktaven Audio, Mt. Vernon, New York; composition year: 2015; time: 8:47

George Cacioppo: Bestiary I: Eingang
Advance of the Fungi
Mode Records/2006
(for soprano, piano, and 5 percussionists); Ataelier de Musique Contemporaine de CNR de Versailles; conductor: Lionel Arnaud; piano: Jacqueline Méfano; soprano: Janet Pape; text: Rainer Maria Rilke; recorded at the CNR de Versailles, March 26, 2004; remixed at CCMIX, Paris; composition year: 1960; time: 8:12

Luigi Nono: Lemuria (after Ovid)
from Guai ai gelidi mostri (Woe to icy monsters)
Luigi Nono 3
Montaigne/1995
(for flute, clarinet, tuba, two contralto voices, viola, cello, double bass, and live electronic processing); directors: Roberto Cecconi, Luigi Nono; recorded at the West German Radio Studios, Cologne, October 23, 1983; text: Massimo Cacciari; composition year: 1983; excerpt time: 8:01

SINGLE LAY
John Aylward:  selections from Angelus
IX. The Wing (3:34)
X. A Distance from the Sea (5:10)

Angelus
New Focus Recordings/2020 (for download)
Ecce Ensemble (voice: Nina Guo; flutes: Emi Ferguson; oboe: Hassan Anderson; clarinets: Barret Ham; violin: Pala Garcia; cello: Sam Popham; percussion: Sam Budish), conductor: Jean-Philippe Wurtz; recorded at the American Academy of Arts and Letters, New York City, June 2019; texts: IX. Plato, Phaedra; X. Weldon Kees; composition years: 2014-2019; total selections time: 8:44

Hour 2

SET TWO
Patchwork: …Time was not passing…It was turning in a circle (H.D. Chin)
Patchwork
New Focus Recordings/2020 (for download)
alto saxophone: Noa Even; drum set: Stephen Klunk; recorded at Stone Soup Recording Studios, Maumee, Ohio, March 2019; composer: Hong-Da Chin; composition year: 2017; time: 8:19

Malcolm Goldstein: Scuttling a space of time, slowly
Soweto Stomp
Mode Records/2016
The Ratchet Orchestra (double bass: Nicolas Caloia; violin: Joshua Zubot; violin: Guido Del Fabbro; viola: Jean Réne; clarinets: Lori Freedman; flute, alto saxophone: Jean Derome; alto saxophone: Yves Charuest; tenor saxophone: Damian Nisenson; baritone saxphone: Jason Sharp; trumpet: Elwood Epps; trombone: Scott Thomson; guitar: Chris Burns; piano: Guillaume Dostaler; drums: Isaiah Ceccerelli; percussion: Ken Doolittle), violin, director: Malcolm Goldstein; recorded at Hotel2tango, Montreal, February 2015; composition year: 2014; time: 9:47

SET THREE
Chris Brown: Shuffle
Retrospectacles
Fo’c’sle/2018
(for piano and interactive electronic sound); piano, electronics: Chris Brown; recorded at Roulette, New York City, December 2005; composition year: 2004; time: 9:49

David Rosenboom: Closed Attracting Trajectories (Melody Set 2)
Zones of Influence Part II
Zones of Influence
Pogus Productions/2014
electronics: David Rosenboom; percussion: William Winant; The Dizzy Gillespie Recording Studio Complex, California Institute of the Arts and the composer’s studio, Valencia, California; composition years: 1984, 1985, revised 2013; time: 13:44

SET FOUR
J.K. Randall: Three works for MIDI —
a. Across Lapland (2:53)
b. My Prayer for Bella (4:10)
c. The Persistence of Memory, for Giselle (3:15)

Open Space 39 (Boretz/Randall/Hicks)
Open Space/2019
MIDI-generated electronic music: J.K. Randall; composition years: c. 2009-2012; total time: 9:23

Kraftwerk: Morgenspaziergang (Morning Stroll)
Autobahn
Elektra/1992 (orig. Phillips LP/1974)
synthesizers, electronics, processing: Ralf Hutter, Florian Schneider; recorded at KlingKlang Studio, Düsseldorf, and Conny’s Studio, Köln, 1974; time: 4:03

Hour 3

SET FIVE
Test Dept: GBH84
Disturbance
One Little Indian/2019
percussion, electronics, tapes, vocals: Graham Cunnington, Paul Jamrozy; drums: Zel Kaute; electronics, percussion, live sound: Lottie Lou; recorded at the Shed and Flesh & Bones Studios, London; time: 4:20

Negativland: Cadillac
True False
Seeland/2019
personnel: David Wills, Don Joyce, Ian Alan, Jon Leidecker; Mark Hosler, Peter Conheim, Richard Lyons; mastered by Thomas DiMuzio; time: 5:18

Roger Doyle: Mercedes Spring
Babel
CD 1 — Temple Music
Silverdoor/1999
electronics: Roger Doyle; composition years: 1989-1999; recorded at various locations in the British Isles, Europe, and North America; time: 5:37

Daniel Eichenbaum: Car Accident
60 x 60 — 2004 (various artists)
Capstone Records/2004
electronics, samples: Daniel Eichenbaum; composition year: 2003; time: 1:00

The Space Negros: Music for Safety Ed Class
Dig Archeology II (1975-1986)
Arf Arf/1992
electric organ, synthesizer, electronics, processing, vocals: Erik Lindgren; recorded in Somerville, Massachusetts, fall 1975; time: 1:25

Jennifer Reeves: The Money
State of the Union 2.001 (various artists)
EMF/2001
samples (sources unknown), processing: Jennifer Reeves; time: 1:00

Michelle Kinney: I Don’t Like Americans
Sonic Circuits X (various artists)
Selections from the 10th annual festival of electroacoustic music
Innova Recordings/2004
cello, processing: Michelle Kinney; vocals: Shi-Zheng Chen; recorded at Harvestworks/Pass Studio, New York City, 2003; time: 1:00

SINGLE PLAY
Sarah Boothroyd: Rabble Rousers
Deep Wireless 9 — Radio Art Online Album (various artists)
New Adventures in Sound Art/2013
for fixed media sourced from street protests around the world; composition, processing: Sarah Boothroyd; composition year: 2012; time: 28:00

— FIN —

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