Martian Gardens Episode 1119

LISTEN HERE — ANCHOR.FM PODCAST
Martian Gardens Episode 1119
Recorded at Max’s home studio,
Amherst, Massachusetts
August 28, 2022
Contact Max Shea: martiangardensmax@gmail.com 
(or just leave a comment below)
Radio4All archive (search “Martian Gardens”)

Hour 1

SINGLE PLAY
CRAG: Table Top Iguana, Shades and White Socks
Polychromy

pfMENTUM/2021
drums, percussion, junk, lo-fi electronics: Ron Coulter; trombone, electronics: Steven Ricks; piano, keyboards: Christian Asplund; woodwinds: Vinny Golia; recorded at Madsen Recital Hall, Brigham Young University, Provo, Utah, September 19, 2019; time: 15:39

SINGLE PLAY
Terry Riley & Arte Quartett: Uncle Jard
a. Part 1 (5:17)
b. Part 2 (8:36)
c. Part 3 (5:32)
Assassin Reverie
New World Records/2005
(for saxophone quartet, piano, and harpsichord); piano, harpsichord, voice, text: Terry Riley; Arte Quartet (soprano saxophone: Beat Hofstetter; alto saxophone: Sascha Armbruster; tenor saxophone: Andrea Formenti; baritone saxophone: Beat Keppler); Assassin Reverie recorded at DRS 2 Radio Studio, Zurich, Switzerland and rete due Radio Studio, Lugano, Switzerland, 2001-2005; composition year: 1998; total time: 19:38

SET ONE
Loadbang: Aging (Q. Mason)
Quiver (various composers)
New Focus Recordings/2022
baritone voice: Jeffrey Gavett; trumpet: Andy Kozar; trombone: William Lang; bass clarinet: Adrian Sandi; recorded at Oktaven Audio, Mt. Vernon, New York, March 7, 2021; composer: Quinn Mason; text: Adam Lefaivre; composition year: 2017; time: 3:07

Dylan Ward: Naica (V. Cuong)
Tourmaline (various composers)
Neuma Records/2022
(for saxophone and interactive electronics); saxophone: Dylan Ward; Tourmaline recorded at the University of Missouri-Kansas City, August 2020 and April 2020; composer: Viet Cuong; composition year: 2011; time: 7:55

Steve Reich: Radio Rewrite Movement I – Fast
Radio Rewrite

Nonesuch Records/2014
Alarm Will Sound, conductor: Alan Pierson; recorded at Studio A, Avatar Studios, New York City, April 3, 2014; composition year: 2012; time: 3:52

Hour 2

SINGLE PLAY
Wadada Leo Smith & Benjamin Boretz: Sugar, Free (1st 1/2)
Open Space 52 — Sugar, Free
Open Space/2022
trumpet, flugelhorn: Wadada Leo Smith; keyboards: Benjamin Boretz: recorded at Brook House, Bard College, Red Hook, New York, October 21, 1988; excerpt time: 17:00

SET TWO
Carey Nutman: Wonderful Causing Tears
Rivers Run Through It

MPS Music & Video/2016
electronics: Carey Nutman; time: 8:20

Paul Lansky: Quakerbridge
Homebrew

Bridge Records/1992
computer music: Paul Lansky (source sounds from the Quakerbridge Mall, Lawrenceville, New Jersey, after Christmas); composition year: 1990; time: 13:16

SINGLE PLAY
Ross Bolleter: Unfinished Business
Crow Country

Pogus Productions/2000
ruined bar piano exposed to the elements: Ross Bolleter; recorded at Nallan Sheep Station, Western Australia, July 1987; mastered at Goodshit Studios, Perth, Australia, September 1987; time: 11:15

Hour 3

SINGLE PLAY
John Cage: Variations I*
Variations I-III — The Complete John Cage Edition, Vol. 29
Mode Records/2003
Motion Ensemble (trumpet: Curtis Dietz; violin: Nadia Francavilla; percussion: Philip D’arcy Gray; clarinet: Richard Hornsby; double bass: Andrew R. Miller; horn: Gina Patterson; prepared piano: Helen Pridemore); recorded at The Black Box Theatre, Saint Thomas University, Fredericton, New Brunswick, November 19, 2000; composition year: 1958; time: 20:00
*for David Tudor on his birthday (tardily)

SET THREE
Joseph Benzola: John Cage
Portraits of the Dead Complete 1995-2021

Amanita Music/2021
music and instruments: Joseph Benzola; time: 8:21

Amelia Cuni & Alex Mendizabal: So to Speak
Stimmen aus Himmel und Hölle

ANTS recordings/2022
voices through mirliton: Amelia Cuni, Alex Mendizabal; text: Giuseppe Chiari (Fantamusicologia, Silenzio Edizioni), and Erin Honeycutt; recorded in Berlin, 2021, mastered by Andrea Rocca, Baby Microbe Studios, London; time: 2:56

John Bischoff: Circuit Combine
Bitplicity
Artifact Recordings/2021
circuit box: John Bischoff; recorded live at Littlefield Concert Hall, Mills College, Oakland, California, August 10, 2021/April 24, 2021; engineer: Philip Perkins; composition year: 2013; time: 10:20

SET FOUR
Becky Brown: Dark Parts
Music from SEAMUS Vol. 31 (various artists)
New Focus Recordings/2022
electroacoustic music: Becky Brown; composition year: 2020; time: 4:54

Natasha Barrett: Barely, Part-1 (excerpt E)
Bouteilles de Klein

empreintes DIGITALes/2010
electroacoustic music realized at the composer’s studio, Oslo, Norway; The Barely Project premiered at the Ultima Festival, Kanonhallen, Oslo, October 9, 2007; remixed for Bouteilles de Klein at the composer’s studio, 2008; excerpt time: 3:57

— FIN —

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s