Martian Gardens Episode 1100

Martian Gardens Episode 1100
Recorded at Max’s home studio,
Amherst, Massachusetts
March 23, 2022
Contact Max Shea: 
(or just leave a comment below)
Radio4All archive (search “Martian Gardens”)

Hour 1

Barney Childs: Grande Fantasie Concert (“Masters of the Game”)
A music; that it might be…

New World Records/2002
clarinet: Philip Rehfeldt; Recorded at Redlands University, Redlands, California, 1993; composition year: 1990; time: 4:13

Alicia Lee: Advice from a Caterpillar (from Alice in Wonderland) (U. Chin)
Conversations With Myself (various composers)
New Focus Recordings/2021
bass clarinet: Alicia Lee; recorded at Oktaven Audio, Mt. Vernon, New York, 2021; composer: Unsuk Chin; composition year: 2007; time: 8:40

Jason Bolte: With My Eyes Wide Shut
Music from SEAMUS 22
(various artists)
New Focus Recordings/2021
(for clarinet with electroacoustic accompaniment); clarinet: Mauricio Salguero; composition year: 2010; time: 8:15

Karl Kohn: Encounters for Flute and Piano

Complete Works for Flute
Bridge Records/2022
flute: Rachel Rudich; piano: Karl Kohn; recorded at Mabel Shaw Bridges Auditorium, Pomona College, Claremont, California; composition year: 1966; time: 4:47

Eric Moe: Up & At ’em
I. Up (7:37)
II. & (3:19)
III. At ’em (5:16)
Up & At ’em
Albany Records/2002
alto flute: Rachel Rudich; English horn: Marcia Butler; bass clarinet: Tim Smith; viola: Lois Martin; piano: Eric Moe; conductor: J. Karla Lemon; recorded at Astoria Mastersound, Astoria Queens, New York, January 15, 1996; composition year: 1988; total time: 16:12

James Mobberley: Give ’em Hell
James Mobberley/2012
piano: Robert Weirich; commissioned by the Truman Library, Independence, Missouri, for the Truman Music Series, March, 2000; composition year: 1999; time: 9:04

Hour 2

Stephen Jaffe: selections from Sonata in Four Parts
a. Fantastique (strange, dialogue, not what it seems, fast zu ernst) (7:44)
b. Breathing, still, undulating (3:51)
Stephen Jaffe, Vol. 4
Bridge Records/2022
cello: David Hardy; piano: Lambert Orkis; recorded at Dekelboum Auditorium, Clarice Smith Center, University of Maryland, August 7, 2021, total selections time: 11:35

Dorothy Hindman: Needlepoint
Tapping the Furnace

Innova Recordings/2013
guitar: Paul Bowman; recorded at Needlepoint Studios, Birmingham, Alabama, composition year: 2004; time: 9:28

Ros Bandt and the Medusa Ensemble: Corinthian Song
Medusa Dreaming

Neuma Records/2021
Renaissance tenor recorder: Ros Bandt; harp: Natalia Mann; electric guitarviol, live processing: Erdem Helvacıoğlu; percussion: Izzet Kizel; recorded live by TRT Turkish Radio in the Yerebatan Sarnici (Basilica Cistern), May 8, 2010; time: 6:05

Luciano Berio: Gesti
Complete Sequenzas, Alternative Sequenzas, & Solo Works

Mode Records/2006
(for recorder); recorder: Lucia Mense; recorded at Sendesaal, Hessischer Rundfunk, Frankfurt, July 11, 1995; composition year: 1966; time: 5:20

Philip Mantione: Sawfly
Random 26

sound samples (may include triangle, claves, unamplifed electric guitar, recorder, orchestral music), processing: Philip Mantione; composition year: 1999; time: 6:03

Pierre A. Tremblay: Bucolic & Broken
Quatre poèmes

empreintes DIGITALes/2021
(fixed medium, 28 channels); realized at SPIRAL (Spatialisation and Interactive Research Land), University of Huddersfield, and Studio 3 (hemisphere), Notam studios, Oslo; premiered at the BEAST FEaST festival, Birmingham, UK, October 2016 – April 2017; time: 12:31

Hour 3

Jane Rigler/Curtis Bahn/Thomas Ciufo: Listening

Immersive Electroacoustic Music
Neuma Records/2022
improvised electroacoustic music: Rigler, Bahn, Ciufo; recorded live at McCulloch Auditorium, Pratt Hall, Mount Holyoke College, South Hadley, Massachusetts, April 12, 2019; time: 6:39

Robert Scott Thompson: Wreckingyard
The Strong Eye

Aucourant Records/1992
cello samples, compositional algorithms, signal processing, C-flute samples: John Fonville; voice sample: Victoria Bearden; bass flute samples: Sebastian Winston; composed, mixed, and digitally recorded by RST at numerous locations, April – July 1991; time: 11:15

Charlie Morrow: Wave Music VII for 30 Harps

XI Records/2011
group of 30 harpists recorded at the Cathedral of St. John the Divine, New York City, conducted by an FM signal cue track with drums; composition year: 1984; time: 18:50

Pierre Boeswillwald: Pathos ad Libitum
Music of Pierre Boeswillwald
IMEB — Chrysopée Électronique series/2005
electroacoustic music realized at Institut International de Musique Electroacoustique de Bourges (formerly Groupe de musique expérimentale de Bourges), 1993; time: 16:09

— FIN —

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