Martian Gardens Episode 873

Host: Max Shea
online playlists:
Martian Gardens blog
email: martiangardens@gmail.com

WXOJ-LP 103.3 FM
Valley Free Radio
Northampton, Mass.
Webcast/Broadcast
Fridays Noon — 2:00 p.m. EST
Webcast/Broadcast date: January 27, 2017
Length: Two hours

GLOBAL COMMUNITY RADIO
Webcast: Fridays 3:00 a.m. — 5: a.m. EST
Webcast: January 27, 2017
Length: Two hours

WMNB-LP 107.1 FM
North Adams, Mass.
Webcast/Broadcast
Thursdays 7:00 p.m. to 10:00 p.m. EST
Webcast/Broadcast date: January 26, 2017
Length: Three hours

KOWS 107.3 FM
Occidental, CA
Webcast/Broadcast
Biweekly, Mondays 11:00 p.m. to 12:00 a.m. PST
Next Webcast/Broadcast: January 23, 2017
Length: One hour

RADIO4ALL
Podcast: Download all three hours at your convenience!
Latest upload: January 20, 2017
Length: Three hours

PLAYLIST 

Hour I

SET ONE
Hat Trick: Submerged (M. del Aguila)
Garden of Joy and Sorrows
Bridge Records/2016
Hat Trick (flute: April Clayton; viola: David Wallace; harp: Kristi Shade); recorded at the Academy of Arts and Letters, New York City, April 2014; composer: Miguel del Aguila; composition year: 2013; time: 9:16

Miguel del Aguila: Charango Capriccioso
Salon Buenos Aires
Bridge Records/2009
Camerata San Antonio (violins: Ertan Torgul, Karen Stiles; viola: Emily Watkins Freudigman; cellos: Kenneth Freudigman; David Mollenauer; piano four-hands: Kristin Roach; Vivienne Spy); recorded at First United Methodist Church, Boerne, Texas, summer 2008; composition year: 2006; time: 9:19

SINGLE PLAY
Benjamin Boretz: Downtime
Open Space 31
Open Space/2014
(for piano and electroacoustic percussion); piano: Ian Pace; recorded in London, 2012; composition year: 2005; time: 19:53

SET TWO
Robert Scott Thompson:
a. Vivid Air III — Volutions (11:07)
b. Bell Cavern (2:09)
Visitation (Out of  the Vivid Air)
Aucourant Records/2012
(for percussion and electroacoustic sound); percussion: Stuart Gerber; recorded at the composer’s studio, Roswell, Georgia; composition year: 2010; time: 13:16

Tom Lopez: 17, 987, 547, 480
60 x 60 2004-2005 (various artists)
Vox Nova/2006
electronics: Tome Lopez; time: 1:00

Hour II

SET THREE
Åke Parmerud: Electric Birds
Growl
empreintes DIGITALes/2015
(electroacoustic music on 8-track tape); realized at GRM studio, Paris, 2012; premiered at Multiphonies series presented by the Ina-GRM, Auditorium Saint-Germain de la Maison des pratiques artistiques amateurs, Paris, January 14, 2014; composition years: 2012-2014; time: 11:13

Karl Korte: Birds of Aotearoa
Extensions — A retrospective of electroacoustic compositions
Centaur Records/1998
(electroacoustic music on tape); recorded at the the Recording Studios of the University of Texas, Austin, composition year: 1986; time: 6:24

Leo Kupper: Aviformes 1-3
Digital Voices
Pogus Productions/2012
(for soprano and electroacoustic sounds); soprano: Barbara Zanichelli; recorded at Studio de Recherches, Brussels; composition year: 2009; total excerpts time: 3:52

SET FOUR
Noah Creshevsky: Pulp Fiction
Hyperrealist Music 2011-2015
EM Records/2014
electroacoustic music: Noah Creshevsky; flute: Matt Samolis; player piano samples: Kyle Gann; electric guitar samples: Marco Oppedisano; composition year: 2014; time: 7:27

Robert Een: Death of a Dog
Mystery Dances
Starkland/2003
percussion: Hearn Gadbois; accordion: Carter Burwell; baritone: Timothy Hill; mezzo soprano: Nina Mankin; cello: Robert Een; composition year: 1992; time: 5:10

André Hamel + Le Nef: Victoire
Les musicques d’Urnos
Ambiances Magnetiques/2017
Le Nef (voice, percussion: Frédérike Bédard; voice, percussion, ocarina, Urnosian instruments; percussion: Patrick Graham; Urnosian instruments, bagpipes: Élise Guay; Urnosian instruments, shawm: Pierre Langevin; voice, Urnosian instruments, ocarina, death whistle; percussion: Liette Remon); composer: André Hamel; recorded at Usine C studio and Studio 270, Montreal, 2004-2016; time: 6:45

Timothy Dunne: Ground
Metaphrase
Innova Recordings/2016
The St. Petersburg Chamber Philharmonic; conductor: Jeffrey Meyer; recorded at Dom Radio, St. Petersburg, Russia, 2013-2014; composition year: 2014; time: 6:27

SET FIVE
Goffredo Petrassi: Dialogo Angelico
Musica da Camera (Dallapiccola/Petrassi)
Mode Records/2006
(for two flutes) flutes: Tommaso Rossi, Sylvia Bellio; recorded at Teatro delle Palme, Napoli, February 2005; composition year: 1948; time: 3:58

Paddy Kingsland: Broken Biscuit Club
BBC Radiophonic Workshop — A Retrospective (various artists)
BBC Worldwide, Ltd./2008
synthesizers: Paddy Kinglsand; composition year: 1975; time: 0:39

Hour III

SINGLE PLAY
Stephen Dembski: Stacked Deck
Music of Stephen Dembski
CRI/1989
The Prism Orchestra, conductor: Robert Black; recorded at the American Academy of Arts and Letters, New York City, December 2, 1985; composition year: 1979; time: 7:32

SET SIX
Alice Shields: Coyote
MP3
electroacoustic music (source material: wolf-calls, coyotes, human voice) realized at the Columbia-Princeton Electronic Music Center, 1981; taken from the opera “Shaman,” composition year: 1980; time: 13:02

Judy Klein: The Wolves of Bays Mountain
Open Space 15
Open Space/2004
CSound programming: Judy Klein; wolves and other wildlife recorded at Bays Mountain Park, Tennessee; composition year: 1998; time: 21:00

SET SEVEN
For Pauline — 
Deep Listening Band: Processional
Sanctuary
Mode Records/1995
organ, overtone flutes, electronics: David Gamper; just tuned accordion, electronics: Pauline Oliveros; trombones, didjeridu, garden hose: Stuart Dempster; voice: Julie Lyon Balliet; recorded at Trinity Methodist Church, Kingston, NY, June 1993: time: 8:45

William Hellermann: Three Weeks in Cincinnati in December (excerpt)
Three Weeks in Cincinnati in December
New World Records/2017
(for solo flute); flute: Robert Dick; recorded at the American Academy of Arts and Letters, New York City, September 21, 2016; composition year: 1979; excerpt time: 6:00

— FIN –

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